Saturday, 3 March 2018



Taken by Adam Cottle



Snowmageddon 2018

I'm Still Alive

CLICK HERE for the full shoot!

Model: James Pettit

Thursday, 4 January 2018

Snow Walk

To everyone's suprise, we got snow! Two days after christmas.
Only a thin layer, but enough to have snowmen popping up everywhere.
It's been so long, I'd actually forgotten what it felt like to hold a snowball.

Friday, 10 November 2017

Explosions In The Night





Images shot on bonfire night 2017.

A beautiful night of hotdogs, laughter, kisses, hilariously oversized faux fur coats, burning flames and fireworks. 

This particular night (the way my family does it) has been a tradition for years. We go to my grandads, meet the rest of the family, have hotdogs, walk down and watch the bonfire being lit, chat among the crowd and wait for the fireworks. For the last couple of years though, I haven't been able to carry out the tradition myself, as there was always something in the way. This year though, there was nothing preventing me, and I was hell-bent on re-kindling the tradition after five years absence. 

Totally worth it. It was amazing.

 To see the firework images I shot the last time, in 2012, click HERE. (Warning: They're old)

Thursday, 14 September 2017


CLICK HERE for the full shoot!

Designer: Sarah Shepherd

Models: Leighton Wall / Vally Vand

Monday, 12 September 2016


CLICK HERE for the full shoot!

To see the video, CLICK HERE.

Model: Bala Piti

It had been a while since me and model Bala had done a shoot (see here), so we decided to throw something together. I took me a while to find inspiration for something new, but I then remembered some church shots I'd seen of Charlotte Abramow's years ago. I think they've been taken down since, but it prompted the memory that, since seeing those images, I'd always wanted to do a photoshoot in a church.

I packed a bunch of props before leaving the house (skull candle, veil, dagger-style letter opener, snake bangle, illustrative book on astrology) and left to meet the model at the location.

I have to say, it was definitely the quietest shoot I've ever done. Obviously, the venue called for quiet reflection, and we respected this and the people walking round. But because of this, we ended up whispering and having to make signals and gestures to one another 

There were some points where I wanted poses that were of a more religious value - for example, I took the veil and whispered for the model to wear it like the madonna. As we were being very careful not to cause offense (I myself am agnostic, but my grandfather was a bishop, so I have a great respect for the church and those who follow it) the model very carefully moved the veil around, pulling it completely over her head, then winding it around, then pulling it back, etc. Through these slight gestures, she ended up briefly moving in to the madonna pose, and I quickly took the shot before she moved on. 

See below, the mood-board created for the shoot. 
I believe the far right and far left images are Abramow's.